2013 Trend #5: The Glass Cloche

"When it doubt, put a cloche on it!"
With what I am seeing out there you can use that motto whenever you are unsure or want to accent something in your home. The cloche is popular because of it's amazing ability to put something that would normally be out of context into one. Just like it's original "functional" purpose, you can put just about anything inside and shield it from it's surroundings. Put anything from a creepy doll head to a stapler inside a cloche and voilà! It works with your decor!

Many versions of the cloche are available and I've never see them more popular than then are right now. Particularly, with the emergence of another trend (next post) that is a natural for the cloche. In fact, this surge in cloche use may be a direct result of that but still, the cloche deserves respect on it's own.

HGTV Magazine

A recent HGTV Magazine issue showed a clear glass jar with cute little note cards inside. In addition to being a fun holiday activity it also demonstrates the influence the cloche is having in other ways. Clear glass containers, terrariums and cloches are all part of the same family doing essentially the same thing in different ways. Taking objects or items and giving them some visual context. If you wanted to utilize this in a more home & hearth type decor you could do clear glass mason jars filled with something interesting for instance.

Go ahead and experiment with this in your home and in your art work. Play with the elements of it too like the clear glass. So many of these things are interconnected it's very easy to make your own interpretation and still be on trend.

Next Trend: Victorian Science, Specimens & Skulls

2013 Trend #4 : Humanized Animals & Stencil Forms

Illustrations of Animal Heads on Human Bodies

Humanized Animals

Not that this is a new art form but this emerging trend has some clearly defined rules. The examples I found at both trade shows and in my retail explorations had a genre focus on those all to familiar portraits from the middle ages up. To me they appear mostly to resemble renaissance portrait paintings with a dark, serious and at times almost menacing appearance. Except rather than a bunch of bourgeois rich guys who want to commission paintings to show status, we've been replaced by the Animal Kingdom's royalty and middle class.

Emeowly Bronte by ChetArt

Just about every animal you could think of was represented. Dogs, cows, lambs, monkeys, etc. They look really great and the appeal is they add a little fun and unexpectedness to an other wise stuffy and ordinary image. I took dozens of photo's of people doing this so the idea has definitely caught on within the home decor trade.

I couldn't help but immediately think of my artist friend Chet Phillips of ChetArt who has been working this genre for years. If I want to get in on this trend in earnest I need look no further than his website which features literally hundreds of his original works. If you are thinking about exploring this art form I would certainly suggest exploring his website. He's such an amazing artist that I hope this trend will increase his exposure now that it's hitting the mainstream.

It's a bit early to tell on this one but I hope this sticks for a while in this form or another. Historically with trends like this it will mutate quickly and when it does it will be interesting to see where artists take it.

Stencil Forms

Stencil Bear (Note: Goat Men in Back)

Stenciled constructs are not new either but there seems to be a few places that are toying around with them. I'm not sure necessarily that this is up and coming. I only saw a few places doing this but it's worthy of mention. The large bear pictured to the right is one of a handful these guys were doing including a rhino, antelopes and an ostrich to name a few. Note the creepy upper class goat men sitting on the back wall behind. :)

Outside of this particular use of laser cut stencils there has been for years quite a few products in lighting and other trades doing a form of stenciling. In fact, in a recent October edition of HGTV magazine, one of dozens of such products was featured. (see below) I don't know if that's just coincidence or planned timing but this one will have to be watched as well.

Since I just invested in a laser cutter I suppose I can toy with this trend too. The hard part is figuring out which trend to work on first. :)

Left: Moose Stencil | Right: October 2012 HGTV Magazine

Ostrich & Antelope

2013 Trend #3: Birds Today, Horses Tomorrow

Birds used in various decor applications.

HGTV Magazine October 2012

There is no doubt birds are HOT right now. So hot in fact, it's difficult not to run into a decor item featuring a bird anywhere in retail. And why shouldn't they be? They are cute, create calmness and anything nature inspired you put in your home will aid serenity. You may as well get used to them because they have been trending up since 2010 and really don't show signs of stopping.

Looking to your right at the October HGTV magazine image of David Bromstad cheerfully discussing art you might be thinking, "Hold on a sec! What do you mean birds are trending? I've been seeing owls everywhere for years!" Well, that's true. Owls really never go out of style and have been cyclical in popularity. This bird trend is much broader than owls but does include him nonetheless. Bird trend gets a mention in the caption and David's designer owl wallpaper was on the opposite page.

Elle Decor October 2012

Outside of the obvious the bird is also a very versatile subject for decoration and design. You may have noticed the huge success Restoration Hardware had when they introduced the birdcage chandelier. A product that has spawned endless imitations and a truck load of other birdcage inspired products. Clear proof that when a hot trend hits you can design around the edges of it and make new related trends. A great example of that was brought to light in the October issue of Elle Decor Magazine (left). They put out this interesting collection of items that use the feather as the primary theme. Before you get any weird idea's about using beaks or bird feet as related elements let me stop you there. I already vetted those out for you and they aren't going to work! Try looking at nests and eggs instead. :)

For designers and artists it's a perfect time to try working with birds in your products and art work while it's on the top of the trend curve. For decorators, it's a perfect time too since there are already so many items to choose from. Birds will be with us for awhile so you have some time.

Alternatively, if you like to live a little on the edge and in front of the curve there is something else bubbling on the horizon. Horses are starting to pop up here and there as well. I have seen it both in person at the trend shows in Paris as well as in retail. Right now it's subtle sporadic uses as small accents here and there. Almost as if to plant subliminal mental impressions for a ramp up to 2013 or 2014. The most blatant use I have seen were these horse head sculptures placed in a grouping of four. Horses are beautiful creatures and I'm confident this will pick up steam. I'll be keeping a watchful eye on this one though the next year. Again, if you like horses I don't think you would be wrong to go ahead and jump on this one without knowing if it sticks.

Ballard Designs October 2012 | Note the horse painting.

 Next: Humanized Animals & Stencil Forms

2013 Trend #2: Vertical Lines

Vertical Line Pendant Lights

Vertical Line Trend

This particular emerging trend has all the earmarks of being a flash in the pan expression of something different. Artists and designers will need to take it as inspiration and build upon it in order for it to have real staying power. There are however some great examples supporting this trend in trade magazines that lead me to believe it has a real shot at hanging around.

I would characterize this trend as any object whose form is defined by a series of vertical structural elements. Usually having few or ideally no horizontal support through the center. Many examples I have seen so far involve lighting and tend to lean towards the contemporary. The inherent visual qualities and rhythm of a vertical line structure almost force it towards modern but there are some softer examples. The image in the upper right is a nice attempt at a casual interpretation but then consider the hard contemporary lines of these fixtures below.

These images are indicative of what I have been seeing but if this takes off I can easily see many applications for more transitional and traditional pieces. In fact, I am playing around with this concept myself. I'll reveal later! :)

At the same time I was observing this trend in Europe small examples were popping up in October editions of House Beautiful and Elle Decor. Again, that suggests it has some support and credibility in the broader community or at least they are trying to get it to catch on.

I'll be keeping a watchful eye on this over the coming months to see how it grows and evolves. Maybe you can take some inspiration from this in your own work or your own decor. Try something different or unique with it. Either way it's making people think.

Next Trend: Birds

House Beautiful | October 2012

Elle Decor | October 2012

2013 Trend #01: Nature Inspired

Large Branch Sculptural Lighting

This is a now long enduring trend spanning a few years now. What we were referring to as "Natural Wood" we have now chosen to classify in a much broader sense as "Nature Inspired". This is because of the continued use of literally interpreted forms like branches and tree trunks into decorative art.

Large Branch or Driftwood

This is a new direction moving away from the smaller thin twigs and bunched grasses of only a year ago. In these new forms we can see thicker, meatier interpretations. Most examples both at shows and in retail are knurled and twisted as if found on a creek bed twisted and bleached by the hot sun.

Below is an example of a more artistic use of the trend. It also plays within the even more broad Ethnic Chic trend with it's primitive hut motif. I ate a lunch inside one of these huts. The hut was great, the sandwich failed to impress. :)

Large Branch Driftwood Huts

Bundled Wood

Bundled Wood

This is again a trend that's been with us for awhile. I feel like it peaked in 2010 but it still remains strong. The trend is characterized by a number of lengths of wood tied together in a bundle but cut flat on two side. It tends to be rectilinear for a contemporary form while at the same time playing heavily on the warmth of natural wood. I see this a lot in seating, planter boxes and in store marketing. There haven't really been too many fresh idea's using this technique but since it still has a pulse there may be time yet to capitalize with something new and interesting.

Distressed Wood Collage

Distressed Wood Collages

Last year this was all over table tops but instead of the bleached color pallet your see on the left it was more colorful and distressed. Before, it would have appeared as though you tore down an old barn side that had a 50 year old billboard painted on it, cut it in little pieces then randomly pieced them together for the collage. Today, the distressed colors have been abandoned for the cool greys and whites of the bleached look. This seems to be the new interior color palette a la Restoration Hardware. However, don't worry color lovers! Bold pop colors are being used to inject a little spice into these spaces. But that's a post for another day.

Coming up next: Vertical Line Trend

Maison & Objet | Trends in 2013

The Hemingway Pose

I know, I know. I haven't been in the blog in a long while but I plan to make up for that the next few weeks with this series. As some of you may know I spend a lot of time examining and studying trends that I use in my work. I recently returned from Maison & Objet with a report that was over 100 pages in length! Over the next days and weeks (if that's what it takes) I will reveal a trend or two per day with background and analysis. My hope is that you will be inspired and use the information in your work. If you are more the admirer of art type (you would have to be if your reading this blog!) I think you will find the information interesting and fascinating none the less.

It is in the Cafe Panis nestled on a corner between the Shakespeare & Co. bookstore and the Notre Dame that I took this self effacing photo. (Yes, that's a joke. The self effacing part anyway) :) Paris is so inspiring and I'm so privileged to be able to travel there each year to study trends. To not share the information with my friends would be unforgivable. Besides, keeping a trends to yourself is the fastest way to destroy it. It needs to be known to grow and thrive! So, without further ado . . . the trends!

My Visit to Dafan Art Village in Shenzhen

Dafan Art Village Entrance

When you are sitting around in Shenzhen China with nothing to do there are a few options. You can visit the Minsk, a decommissioned Soviet era aircraft carrier, go haggle for iPad covers and fake watches or you can try to find some hand made stuff. Well, hand made as it turns out is a little difficult to find. At least hand made as we expect it to be. So today a friend and I tried our luck Dafan Art Village in North East Shenzhen. According to what we researched online it was an area known for mainly for oil paintings but we hoped to find something a little bit more. After all, where there is an art community there should be a variety of artists.

As we approached the area a large hand with brush sculpture (left) invited us to enter the artists coven. Other sculptures were scattered around a small garden reminiscent of the Venus De Milo with accompanying quasi Greco Roman architecture. Once you pass this area you begin to see the more familiar scenes of Chinese communities (below). Rows and rows of merchant streets with small alley ways bisecting them.

Dafan Art Village Street

(left) Dafan Alley | (right) Inappropriate Sculpture Arrangement

The remarkable thing was it really is 95% oil painters! We barely saw any other type of artist here. Both of us had hoped to see sculpture, pottery, jewelry or any other nameable art form. But it really was an oil painting village. That's not to say we didn't enjoy it though. Looking at painting just by themselves is always fun plus there is ton's of entertainment too. One of the few sculpture's we saw had these on display (left). I call it "The Inappropriate Sculpture Arrangement". The red guy in front is part of a trend in Asian art I saw two years ago in Paris. Caricatures of Asian people with exaggerated facial features. But the guy behind is clearly Bruce Lee and let me assure you he's anatomically correct. I'd show you a different view but I kinda wanna keep my blog PG-13. You get the idea.

The genre's on display do vary but the two very dominant one's were classical Asian and European reproductions. If you have the time (as I did) you can sort through the stacks and stacks of canvas and pull out the gems. You can haggle too of course. I got all of these (below) for $27.00 USD and I probably could have got them even cheaper if I was an ass. I haggled on quantity and started to haggle on the larger canvases and then I put things in perspective. I couldn't get one of these small one's for $27.00 back home so I'll give this guy a break. Plus, he let me use his bathroom which is a story for another blog entitled, "Places You Can Go To Feel Better About Your Life".

All Of These For $27.00 USD

These are all original oil paintings. Which brings me to one important little warning if you should ever find yourself here or any other similar market around the globe. Take a close look especially when there are duplicates. For instance, you can see the two paintings of The Cathedral of Notre Dame side by side as well as the Eiffel Tower paintings. The compositions are the same but the details are different. People are in different places, building facades vary, trees have moved and are different scales, altered perspective, etc. This is a sign that they were original paintings done by a skilled artist and NOT a paint by numbers hack job. I busted a few small outfits painting over digital ghosts on canvas. It was pretty obvious though with every duplicate looking exactly the same. Plus, the stroke work wasn't up to par either.

The last cool little things I want to note is you can get one of these artists to do an oil of any picture you can supply. So if you want an oil of your daughter, your dog or yourself you can drop off a picture and come back in a few days to get your painting. Personally, I've always wanted a really obnoxious 19th century painting of myself in Scottish Military Regalia (Right). It would have to be in my Lamont tartan though and I would add a loyal West Highland Terrier too. I can picture it now hanging above my mantle where I can stare at myself until I grow old. Next, trip . . . it's happening!

Next Sunday before I head back home I think I'll try another enclave that's rumored to have jewelry and stones. I can always use some raw material for my work and I have just the thing in mind if I can find good stuff.

Midnight In Paris - The Part Critics Missed

Midnight In Paris

Don't worry, I'm not getting in the movie review business and technically this is not a review. However, there is a relevant point involved with being an artist/creative that Midnight In Paris touches on quite well. It's a point that I didn't see a single movie review on went I went looking for it so I felt the need to blog about it to my friends.

What I'm referring to is about nostalgia, what it says about you and how we use it as a coping mechanism amongst other things. In the film the character played by Owen Wilson is a writer who loves Paris and has a bunch of literary heroes with associations to Paris. As a result, he has nostalgia for the circa 1920's time period that he's teleported into. He's taken by how amazing it is to hang out with Ernest Hemingway, F. Scott Fitzgerald and a horde of other famous characters he has admiration for. As the meetings continue night after night he's able to discover things about himself that he had been avoiding or having trouble coping with back in his own time. You start to get the idea but the point gets driven home when he begins to fall in love with Adriana a character played by Marion Cotillard. On their first date in 1920's Paris they get transported an additional 50 years back to a time that Adriana had a deep nostalgia for. In a brief exchange they argued over which time period was better 1870's Paris or 1920's Paris. She hated her time period and insisted life was better and more interesting before. He argued the same point but coming from the present to the 20's. At last the epiphany revealed . . .

"Life sucks. We just sometimes choose not acknowledge it sucked before."

Born in the wrong time we say. For example, the romantic notion some women I know have about the Victorian Era or even Medieval Europe. Gorgeous dresses, grand balls, proper Gentlemen, etc. We are all aware this is a very slender view of the total picture and highly romanticized by modern media. Regardless of that knowledge we still like to imagine ourselves happier if only we lived in that time. We do this without regard for the fact that women were subjugated, more likely to be born poor and might very well contract a host of horrible disease because there wasn't any penicillin around.

I'm guilty. I've blogged before about my heroes and frequently pressure myself to live up to their standards. I've even attempted to use modern day challenges as an excuse for why I'm not further ahead when the reality is that my heroes struggled too. In some cases, they died unfulfilled and unaware of the real impact they had on the field or future generations.

So what the movie had me thinking about was nostalgia can be a good thing provided it doesn't hold you back. In the movie he had to come to this realization in order to move forward in his own time and reach his full potential. Secondarily, it had me thinking that perhaps I standing shoulder to shoulder with tomorrow's hero's. Many of my talented colleagues and friends may very well be in design tomes 50 years in the future but you can never imagine it. You just get caught up in the work. I can already picture future designers talking about how awesome it must have been to be a designer during the digital revolution. Things were probably a lot cooler then they they are now. Perhaps but we were all so busy working, climbing, struggling and living life in general to notice. Same as every generation before us.

Midnight In Paris made me think about it. And I'm better off for it.

Have I Made My Last Oberon's Gateway?

Oberon's Gateway

Normally an artist wouldn't lament the demise of a product particularly if it had run it's course. In this case though Oberon's Gateway (OG) hasn't run it's course and was one of the first I ever designed and put to market for Ferrochie. So it has importance to me and I feel compelled to celebrate it before it's untimely death. OG had it's issues in the sense that I had wanted it to be a wind chime and not a door chime. However, cast iron keys being what they are (heavy) and wind generally not being category four it needed a push so to speak. I believed in it's artistic value and went ahead with it anyway and although not functionally what I wanted, structurally it's been a sound product. It's made of cedar and sealed with polyurethane to handle year round outdoor punishment. I've had one of the first one's I made hanging outdoor since 2009 and it still looks great although the keys are more oxidized. That aside it's probably my most successful outdoor product. That said, being a small atelier like I am it's hard to get the word on on stuff period but since early 2010 I've sold a handful of my design including a few customs. One of those customs featured a striker at the bottom to convert it into a door bell of sorts. At last check with the customer it was still performing well in that capacity. :)

2nd Annual Etsy Spring Bash May 2010

OG was also the first product for Ferrochie to get serious press. The picture to the right is of my first major show with Etsy Dallas. You may notice four OG's prominently displayed in pairs. They caught the attention of reporter Raya Ramsey of D Magazine. She was kind enough to write an awesome online article about me, Ferrochie and Oberon's Gateway. http://shoptalk.dmagazine.com/2010/05/12/the-handmade-bash-reviewed-ferrochie-studio/

So why discontinue it? It's the keys! I just took an order yesterday that will consume my last set out of those beautiful vintage keys imported from France and I don't think my supplier has anymore. These keys MAKE the item and if I can't get any more it's a death sentence for OG and his mate Titania's Rapture. I suppose that only makes them more desirable in a sense. I'll know by the end of the month if it's over for this product and if it is . . . thanks for the memories!

How To Make A Splined Joint

Two pieces of solid pine. Note the FSC certified label!

I had a customer request this week for a 2'x2' version of my "Great Oak Of Portmore". The only problem with that is I like to use solid wood for these projects. That means I'll have to join two solid pieces together to accommodate the request. Plywood is okay but will lack the character and look cheap when finished. Joining panels together in this way can produce a very weak joint if you simply glue and clamp them together (butt end joint). That's why I am choosing a "splined joint" for this project which will add much needed gluing surface area and strength to the finished panel.

Sketch of a "Splined Joint"

So a splined joint adds reinforcement by running another piece of material through the core of the joint. I threw together a quick illustration (left) of what this looks like. It has been recommended by some that you use a material for the spline that is man made like masonite because the lengths and widths are not as limited as with solid woods. However, since my project is an art piece as opposed to a table top or other utility design, I am opting for a solid wood spline. There is a good chance I will carve into the spline (exposing it) so it will need to stained and finished the same color.

To start I set up a box end bit into my router table. The depth I'm going with is around 5/16" to give the spine enough grab when it nests into the groove. This is of course completely optional and up to you the depth you feel is necessary. This is one of those things you can play with and find what works.

Next, I offset my fence to be "in the ball park of center" being perfect doesn't matter as long as you keep track of the up and down side of the panels. You can lay them flat on your workbench and look for an offset. If you see one just flip on of the two panels over so they align. Once you have run the two panels through they should look something like the image to the right. Note: Please don't disable your guard on your router table. I'm not your mom but we need more craft in our world. You'll contribute more if you keep all your fingers. I'm simply holding my guard back for the photo.

To make the spline itself run another piece of wood through your router setup but adjust you bit depth to twice the size. This should equal the width of the spline you need. For the part I chose a smaller 6" wide piece I had in my stock just to reduce waste and make it easier to handle. Set the fence and blade height to trim off the lower edge of the router cut (left). If done correctly, you should be left with a perfect spline insert (see inset on left). If not you may need to adjust and rerun the board but it should be very close the first time.

The last step is to glue it up and clamp it (see right). Run glue into the channels of both panels. I like to puddle up some glue on a scrap piece and use my fingers to butter some glue onto the surface areas that will be joined too. This will result in less glue waste and more importantly less glue seeping out of the joint onto the panel surface. Believe me, this will cut down on sanding time for you later. Clamp it along the width first (orange clamps) using bar clamps to pull the joint together. Next, use some lengthy scrap wood to clamp down the ends (blue clamps). This will keep the two panels parallel and flush during the drying. It is important to make sure no glue is seeping from the joint before this last step. Otherwise, you'll have an unwelcome additional wood block permanently glued to your new panel.

After 24 hours drying you'll have a super strong extra wide panel to do with what you will. I'll follow up later with what I did with my splined joint panel.

Illuminated Manuscripts

Illumination from the Book of Kells

Most people are familiar in one way or another with illuminated manuscripts. These are usually associated with medieval works such as The Book of Kells or The Book of Hours but there are dozens upon dozens of famous works. Traditionally, illumination referred to text which has been adorned in someway through small illustrations, borders or initials like the one on the left. However, in order to be a "true illuminated manuscript" the art would be created using gold and silver. The metallic effect thereby reflecting and bouncing light for dramatic visuals. Today it is acceptable to call art done in the style (but lacking gold and silver) illuminated but I am a traditionalist on this. I WANT MY METALLICS!! :) Other bold colors that are not illuminated are typically used but it's the golds and silvers that make the look.

Illuminated manuscripts fell into decline with the advent of the printing press but is still being practiced by artists all over the world on Etsy. I put together a quick treasury so you can see some of the work being done.

http://www.etsy.com/treasury/ODk4OTgzNXwxOTE2ODUwMjg1/illuminated-manuscripts-lettering


I have always loved this art but took a particular interest after realizing it was perfect for a new project Misty and I have been working on. However, illuminated letting isn't something you just decide you want to do one day and it's perfect. It's very involved but you can start learning by taking one small step at a time. If you are up to the challenge there are a couple websites out there that can give you a head start. Here is one of them.

http://www.gold-vault.com/gilded_manuscript.html

There are many techniques to creating illuminations so research and experiment. That's what we are doing and I think we have a technique that is working for us. We will soon see in the final product in a few weeks.

For more info definitely check out wikipedia's entry. It has a lot of great information and external links: http://en.wikipedia.org/wiki/Illuminated_manuscript